large ensemble
Elements: II. Fire (2025) ca. 4’ — vla solo + 3.3.3.3 + 4.3.3.1 + timp/perc[3]/str [symphony orchestra]
Alluvium (2025) ca. 3’ — 3.3.3.3 + 4.3.3.1 + timp/perc[3]/hp/pf/str [symphony orchestra]
The Allegory of Everywhere (2023-2024) ca. 50’ — 13 musicians w/ conductor
Bubble-Net (2024) ca. 6.5’ — 2.2.2.2 + 2.2.2.1 + timp/perc[4]/hp/pf/str [symphony orchestra]
seawall blvd (2022-23) ca. 7’ — 3.3.3.3 + 4.3.3.1 + timp/perc[3]/hp/pf/str [symphony orchestra]
seawall blvd (2022-23) ca. 7’ — 1.1.1.1 + 1.1.1 + perc[2]/str [chamber orchestra]
Eyes Like the Morning Star (2021) ca. 4.5’ — 2.2.2.2 + 2.2.2.1 + timp/perc[2]/str [symphony orchestra]
solos/duos
The Perfect Pair (2025) ca. 4’ — mezzo-soprano + pf/cel
street-slush (2025) ca. 4’ — mezzo-soprano + e gtr + perc [+ pf reduction]
Lovers in the Park (2025) ca. 2’ — soprano + pf
May I startle you? (2025) ca. 2’ — tenor + pf
for jim (2024) ca. 4.5’ — vcl + wind chimes
a striking bird (2024) ca. 4’ — tpt + vcl
american gothic (2023) ca. 6’ — solo banjo
baby mine (2023) ca. 8’ — 4-hand prepared pf
CALL BACK MY ROSE (2022) ca. 3’ — alto + bfl
état d'âme: a self-portrait (2022) ca. 4.5’ — fl + vibraphone
chamber ensemble
furnish it with love (2024) ca. 2’ — vcl trio
Nothing Sounds Right (2024) ca. 6.5’ — soprano + fl + bsn + e gtr + pf + vla
three declarations of love and a dead bunny (2023) ca. 7’ — soprano + fl/bfl + bcl + perc + vln
unless you are careful (2023) ca. 4’ — fl/afl + bcl + asax + vcl
the new old days (2023) ca. 13’ — 6 musicians using found instruments
perennial glass (2022) ca. 5’ — fl/afl + cl + vln + vcl
Secession (Don’t Tread on Me) (2021) ca. 7.5’ — alto + string quartet
Salish Phantoms (2021) ca. 7’ — 11 musicians
perfect lovers (2021) [indeterminate length] — 3 musicians
standby, bystander (2021) ca. 3’ — asax + tpt + trb + dr + pf + db [jazz sextet]
The Recitation (2020) ca. 5’ — string quartet
in progress
Songs from the Storm: Galveston, 1900 (2024-) — soprano + vla + vcl + pf
letters to artemis (2022-) — vcl concerto
excerpt: II. “élégie” (orchestral version) (2023)
excerpt: II. “élégie” (vcl + pf version) (2022)